Sharps and flats; Survey results

A brief introduction Musicians encounter key signatures constantly, yet it’s a staple of music that we rarely think much of, over and above the accidentals we must remember throughout the piece in question. We take them for granted, and each tend to gravitate towards certain keys in our various musicals Read more…

Sharps or flats?

A couple of days ago, I was transcribing some piano parts for a client. After submitting the final files, I was told that the client always thought of a certain piece as a ‘flat’ piece, and could I write it as such? (I’d written it in an equivalent sharp key)Interestingly, Read more…

All in the mind – The role of auralisation within the compositonal process of Sibelius generation composers – abstract

While the concept of imagining music is well established, the term auralisation has not been previously used to describe the process. Although auralisation was a key compositional tool for composers throughout history, technological advances have resulted in software which can notate and play back a version of the score. Consequently, Read more…

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