In the modern musical world, there are so many different elements music creators have to juggle in every element of their work. Once the final piece has been sculpted, however, another question arises: How do you share it? After the last series of blog posts I uploaded, containing excerpts from Read more…
The final movement from Scenes from a Train features a cantabile melody alongside snippets from the other two movements. This movement was the one that spontaneously popped into my head whilst looking out of the train window, and begged to be written. The movement begins with the melody on clarinet, Read more…
In some pieces, this second movement would be termed a rondo. In this work, however, it’s definitely more of an episodic movement. There is an A section, reflecting the gentle movement of the train and the houses flashing past, which develops and becomes more complex as the scenes change outside. Read more…
Revisiting old work is something every professional does at various points in their career. In this case, I was asked to reinvent the clarinet sonata – completed for my Creative Pact last September – for clarinet and string quartet (see the previous link for full details about how it came Read more…
All musicians know how to juggle. When we begin our musical journeys, usually by learning an instrument, we juggle practice, scales and lessons with the rest of our lives. Juggling is evident at a new level when you become a student, and then a full time professional – be it Read more…
